The three figures at the top come from baynard's and were added to the Great St Helen's mantelpice. Brackets of arch: from an Indian mosque at Ahmedabad. The great parlour utopia: The door frame from a house in Walbrook. The door (at least the outer panels) belonged to an Indian Mosque and was carved by mohammed Bahab and Lunna, natives of Bhara in the punjab and was bought on the breaking up of the Indian Exhibition in 1896 for.8.6. The chimney piece came from an old Venetian palace and was bought through an antiquary in 1893. It is of hard stone known as Istrian marble.
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Detail with Arcadia's stained glass a arcadia carved canopy: with sculpture of a boar hunt, from baynard's Castle in Surrey. The brackets do not belong but were picked up in London. Ceiling beams: covered with carvings from baynard's which I bought in for 90 when it was sold by my cousin, Thomas Thurlow. The last beam (from the old chapel at baynard's) has the head of St John Baptist. At the end of the passage are some very beautiful panels, with representations of children, goats, etc., almost as fine as intaglios. Of the lower panels on the walls those with a napkin pattern come from baynard's and date from Henry. Some richly carved ones come from Wells, others from a destroyed house at Bristol. The round pilasters at the angels and eight plain oak panels near the door formed the old pulpit of Winchelsea church, turned out of the building in 1898 and taken to the cellar of the rectory whence fashion i bought them - the winchelsea sounding board. Window seat: end carving from baynard's. Chimney piece: bought from an old house in Great St Helen's, bishopsgate. The stone part of the chimney piece was always at Holmhurst.
The American Colony statue is almost wholly undraped; a little beast of lizard type creeps from behind her feet which rest upon the gory head of an enemy. See also Anthony McIntosh: /object? Id113 holmhurst - the interior entrance hall arcadia: Three panes of coloured glass in door leading to the verandah, from Hersmonceux Castle. One said to represent a lady dacre, was given to me as a boy by Uncle julius. The write other - the wolfdogs with. For Thomas, lord Dacre, and lukas with the emblem of St luke - from the castle Chapel were in the staircase window at Lime. They were given to me by our successor at Lime because he was going to destroy that window.
The queen weighs seven tons, each of the ladies four tons. We could not move the london pedestal which was only a shell filled with rubble and guaranteed rubbish. The present pedestal is an exact copy of it, with one step less and was made of the stone from our quarry. The pedestal and the removal of the statues cost 400: the queen's railway ticket was. The attendant ladies are: Britannia, ireland, the American Colonies and France - for English sovereigns did not give up their claim to French royalty until the georges. When the statues first arrived, we had made them quite perfect and all the missing dates members replaced, but winters' storms have worn all the reproductions away and only the original marble remains. The queen has now lost both her arms; fragments of them, her orb and sceptre, are in the verandah of the house. Ireland is far the best of the statues; she formerly held a harp.
'It is a great pity said the mason, 'but they are to be sold in a few days to sculptors for the weight of the marble and will all be destroyed'. But an investigation was made, it was found they had never belonged to the city council at all, and that it had had no right to give any orders concerning them. They belonged to three persons - the bishop of London, the Archbishop of Canterbury and the lord mayor. I flew to fulham and the bishop gave me his share, then to lambeth and the Archbishop not only gave me his share but said, 'and I will tackle the lord mayor'. Then I got the secretary of the south East Company to come and see the statues and make an estimate for their removal, but he said, 'it is no use talking about it for the statue of the queen could not go under any. 'no, she cannot lie down, she has too much train'. However, eventually, a plan was contrived by which the queen leant forward and she eventually arrived at Holmhurst with four trucks, four trollies, sixteen men and twenty-eight horses. Each of the four ladies sat in a separate wagon and a strange procession they made.
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The business porch itself gave me more trouble architecturally than any other part of the building, the space from which it was to project being too small to allow of its being effective. The difficulty was overcome by the buttresses which give a false breadth to the front, which the niches and statues - by withdrawing attention - are adapted to conceal. Queen anne the statue of queen Anne is the famous statue which formerly stood in front of St paul's Cathedral at the head of Ludgate hill. It is said that there was a great feeling about a protestant sovereign (not a stuart prince) coming to the throne, it was subscribed for by all the Protestant princes of Europe to be unveiled on the coronation of queen Anne. Anyway, it is the work of Bird, the most illustrious sculptor of queen Anne's reign, celebrated for the beautiful monument of dean Vincent in Westminster Abbey. The charlatan sculptor, belt, went to the city council and said, 'your queen Anne has lost many fingers and fragments, you had better let me make another copy.
I will do it very cheaply.' And Belt was allowed to make his stone copy and put it up, and the carrara marble statue of the queen and her four attendant ladies disappeared suddenly in the night, vanished into space leaving no trace behind. For two years I hunted queen Anne. No one, deans, canons, officials, no one had any idea what had become of her. At last, my friend, lewis Gilbertson, walking near the vauxhall Bridge road and seeing a curious mound in a mason's yard asked what it was. The owner said, 'there is a ladder. You can go and see'. He went and in a pit he saw the five statues.
The arson steps are not merely curved but waved like the waves of the sea, the stones at the bend of the curve being made to project on both sides at the same angle. The parapet follows a wider curve of its own. Each step is paved with Sussex pebbles in a different pattern very visible after rain but the top step is inlaid with bits of marble from the roman Palace of the caesars and mosaics from the temple of Juno at Gabii and the palace. Before: A pretty bit of wall with an arched door was moved stone by stone further down the terrace. On the outside of this door are two statues which we call St Oswald and St Cuthbert though some think they are henry ii and Thomas Becket, which came from the ancient church of All Hallows, barking. After: The main gable of the terrace font is adapted from a house in the village of painswick in Gloucestershire, the frame is from an old house in Venice and the monogram.
Contained within it was designed at Holmhurst by an old friend. The sundial was made from my design. In the upper part is the word 'Irrevocable in the lower the French motto, 'c'est l'heure de bien faire'. We found it impossible to set this sundial exactly when it arrived and had to send for an expert from London to. It only serves its purpose in the morning, the sun goes off that wall after noonday. The windows downstairs are of Utopia, upstairs of Salem. The windows, downstairs, are of Arcadia, upstairs, of beulah. The inscription over the porch, ' pax intrantibus, salus exeuntibus, benedictio habitantibus was adapted from that over the portal of douglas Castle. The patron saints, cuthbert and Cecilia, my third name being Cuthbert and my mother's birthday on St Cecilia's day) - were carved by farman brindley.
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Elsewhere he wrote: The enlargement of the house involved a larger terrace and presentation I was able to use plans and measurements made several years before in the glorious garden of the lante family at the villa bagnaja near Viterbo. The low panelled wall perplexingly unecessary to English masons is after the villa bagnaja and the size of the obelisks and the ornaments on their base is the same as that of those made for Cardinal Lante. Originally augustus Hare had brought back this well head from Venice, then proceeded to build the lovely renaissance terrace placing it there. In the centre is an early venetian font or well head which came from one of the houses pulled down when the new street was made from. It is not later than write 12th century. The steps on which it stands were made with the terrace and they were not finished before i began to plant secums, veronicas, etc., in their interstices. In front a flight of widening steps leads to the lawn and was copied as a whole from a staircase at the villa Arson near Nice. Hence i call them the arson steps. The two stone vases on the centre of the steps were made for me - copied from those on the tomb of the duke of Buckingham in Westminster Abbey.
The terrace 29 September 1898: The building and gandhi changes here go on well, but very slowly, a result of having the work done with my own stone, and as much as possible be the men of our village. I think all will look well in the end. Not a chair or a book will be moved from the older part of the house, consecrated by my mother's memory, but room will be given for the many things connected with Esmeralda, which I bought back at Sir Edward paul's sale, and,. Where you will remember a steep grass bank, there is now a double stone terrrace with vases and obeliks, and luxuriant beds of brilliant flowers edged with stone, copied as a whole from the Italian Villa lante near Viterbo. At the end are a staircase and gateway to the solitude, the 'ave-vale gate with 'ave on the outside and 'vale' within. The ave-vale gate is a reproduction of the one at the old house at Stebbington in Huntingdonshire. Cypresses are growing up beside it to enhance the impression of Italy, which is further carried out in a widening staircase from the centre of the terrace, with lead vases on the piers since sold off by the sisters, copied in design and proportions from. Just now, in this hot noonday, the gorgeous flowers against the stone parapet, and background of brown-green ilex and blue-green pine are really very Italian, while below in the meadows all is as English as it can be, the cows feeding in the rich grass.
the castle-rock rises up pink-grey against. Far overhead, the softest of white clouds float in the blue ether. In the meadows, where the cows are ringing their Swiss bells, the old oak-trees, are throwing long deep shadows across lawns of the most emerald green, and the flower-beds and the terrace borders are brimming with the most brilliant flowers, over which whole battalions. Selma steals lazily round the corner to see if she can catch a bird, but finds it quite to hot for the exertion; and Rollo raises himself now and then carelessly ro snap at a fly. The doves are cooing on the ledge of the rof, and the pigeons are collecting on the smokeless chmneys. Upstairs Mrs Whitford and Anne are dusting and laughing over their work, with the windows wide open above the ivied verandah, and Rogers is planting out a box of sweet-scented tobacco plants which has come by the post. Such is little holmhurst on an August morning. Originally augustus Hare had brought back this well head back from Venice, then proceeded to build the lovely renaissance terrace with it placed in its centre.
We give here some of his own descriptions, in word and image, of his Sussex Holmhurst. First, he had planted the write yew tree, then a ravenna pine and a monkeypuzzle. In our day only the yew tree still stood. At the bottom of the garden he planted beech trees, one green, one copper beech which grew to immense sizes by our day. He writes : The intense freshness of the air, the glory of the flowers, the deep blue sea beyond our upland hayfields, and the tame doves cooing in the copper beech-tree, are certainly a refreshing contrast to london. On 27 november 1887: i am greatly enjoying a little solitude in this time so congenial for hard work, when all nature seems wrapped in a swampy mistcloud. There are great improvements in the garden. Along that little upper walk to the field, where the frames were, is now a rockery with rare heaths, and behind it a bed of kalmias, and then the cypress hedge and my especial little garden.
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Holmhurst St Mary I: Augustus Hare. Umilta website, paper oliveleaf website, julian of norwich, text and contexts, website. Birgitta of sweden, revelationes, website, catalogue and portfolio (handcrafts, books ). Book reviews, bibliography, florin website, julia bolton holloway, holmhurst st mary,. Augustus hare and holmhurst n the 19th Century, augustus Hare, a writer, acquired Holmhurst in Baldslow, sussex, and made many improvements to the property and its extensive grounds. With the proceeds of his travel books on Italy, france, spain and Scandinavia, augustus Hare built improvements to holmhurst St Mary, in Sussex, within view of the Channel, making these additions both Italian and Pre-raphaelite. Augustus Hare not only wrote but illustrated his own travel books, the finest of which. And he drew images of his dream house as it became reality.