My parents never encouraged me in the sense of making a fuss about what I wrote or praising my determination to write. They encouraged me greatly in the sense that they believed that if a gift is also an obligation its given you to work with, and work for. And such work is the most rewarding of all. I grew up when male supremacy was built firmly into every aspect of society, taken for granted, and very seldom challenged, but within my family i was never made to feel that I was expected to achieve less than my brothers, or that any path. When I was getting near college age, my father talked with me about getting a salable skill — learning a trade that I could live. Because most writers dont earn enough from writing to buy catfood, this was wise advice.
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My parents were loving, kind, and intelligent; I game had an extra mother in my great-aunt; I had three big brothers to tag around after (and to have fights with the youngest of them and everybody in the family was glad I was a girl, which. My father was a university professor and we were well off, even during the depression of the 1930s. We lived in a beautiful redwood house in Berkeley, and summers on an old ranch in the hills of the napa valley. I went to public schools, where i got a good education (although I was shy and malingered a good deal in grade school, and high school was three years of social torture.) There were lots of visitors, lots of talk and argument and discussion about. The life of the mind can be a very lively one. I was brought up to think and to question and to enjoy. During the second World War my brothers all went into service and the summers in the valley became lonely ones, just me and my parents in the old house. There was no tv then; we turned on the radio once a day to get the war news. Those summers of solitude and silence, a teenager wandering the hills on my own, no company, nothing to do, were very important. I think i started making my soul then. Learning to write, at five.
It is lovely to share worlds if your imagination legs works that way, but mine doesnt; to me, its not sharing but an invasion, literally — strangers coming in and taking over the country i live in, my heartland. This applies, of course, to fiction only. I have given permission to all sorts of script writers, playwrights, musicians, dancers, etc. To use my stuff for performance pieces, and collaborated happily with many of them. Collaboration is one thing, co-optation is another. — ukl what were your childhood youth like — was it happy — were there any significant influences on you? My childhood was what is called happy.
(But in an early British recorded reading of wizard, well honey, sure enough, there was Jed the kentucky mountain Man. And in the American film based on a wizard of Earthsea, ogion became oh-jye-on. But that wasnt the the worst by a long shot. He became the only non-white man in the whole Archipelago theyd poured Clorox on all the others.) What is your policy on fan fiction set in your worlds and using your characters? Its all right with me — its really none of my business — if people want to write stories for themselves their friends using names and places from my work. But these days, thanks to the web, stuff for friends gets sent out all over the place and put where it doesnt belong and mistaken for the genuine article, and can cause both confusion and real, legal trouble. As for anybody publishing any story derived from my stuff, i am absolutely opposed to it have never given anyone permission to.
So ged is Ged not Jed, Ogion rhymes with bogey. (A couple of names in Left Hand are pronounced as if in English: Tibe is not tee-beh, but rhymes with bribe. Karhide sounds like two English words, car-hide.) Where to put the stress? (Yeowe is yeh-oh-weh, not yowie!) Dont worry about. Say things they way they sound good to you. Or you could get one of the audio recordings of the book. As a rule the producers and performers take great care to check the pronunciations with.
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In between novels, i forget planets. The eye of the witness heron may or may not be set in the hainish universe; it really doesnt matter. As for The lathe of heaven and Always Coming Home, my terran science fiction novels, they definitely dont exist in the same universe as the hainish or ekumenical books. While were at it, earthsea really does go in order, because it is all one story: a essay wizard of Earthsea, the tombs of Atuan, The farthest Shore, tehanu, tales from Earthsea, the Other Wind. (my british publisher insisted on doing the two last in the wrong order, and Im very sorry about that, since Dragonfly in the tales makes the bridge between Tehanu and The Other Wind. ) Catwings goes: Catwings, catwings Return, wonderful Alexander, and Jane On Her Own.
(Since the publisher, Scholastic, seems to have some deep metaphysical objection to ever letting anybody sell the four books in the same place at the same time, go for the four-volume set — if you can find.) How do you pronounce the names and. You the reader have readers Rights. One of them is to pronounce made-up names and words the way you want. But people do like to know how the maker-up pronounces them. And since this does affect the sound and rhythm of a sentence and since names are magic in Earthsea here are some guidelines. In my invented names and words, usually: a is ah e is eh i is ee o is oh u is oo ey rhymes with they ay rhymes with either they or high All the Es are pronounced, including final e: Meshe mesheh. You have to take your chances with g, but usually its g as in get, not g as in gem.
People write me nice letters asking what order they ought to read myscience fiction books in — the ones that are called the hainish or ekumen cycle or saga or something. The thing is, they arent a cycle or a saga. They do not form a coherent history. There are some clear connections among them, yes, but also some extremely murky ones. And some great discontinuities (like, what happened to "mindspeech after, left Hand of Darkness? Ask god, and she may tell you she didnt believe in it any more.) ok, so, very roughly, then: Rocannons World, Planet of Exile, city of Illusions: where they fit in the hainish cycle is anybodys guess, but Id read them first because they were.
In them there is a league of Worlds, but the ekumen does not yet exist. Then you could read The word for World is Forest, The left Hand of Darkness, The dispossessed, in any order. In Dispossessed, the ansible gets invented; but theyre using it in Left Hand, which was written fifteen years earlier. Please do not try to explain this. I will not understand. Then in the collection of stories a fisherman of the Inland sea, the three last stories are ekumenical, and we even finally find out a little about hain, where it all began. The story suite four ways to forgiveness is part of that universe, and so is the novel The telling. But I have to warn you that the planet Werel in four ways is not the planet Werel in Planet of Exile.
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Do you have a writing philosophy? Do you weave events from your real life into stories or rely on imagination? Do you do research, visit places, when you are writing your books? Do you keep a journal or diary? Do you revise fuller many times? Are there any events in your life you would not want included in a biography? Where can I get a publicity photo? On the, publicity Photo page. Please be sure to include the proper photo credit and/or make arrangements with the photographer for a license.
How can I get your autograph? What is your policy on fan fiction set in your worlds and using your characters? What were your childhood youth like — was it happy — were there any significant influences on you? What inspired you report to be a writer? Who helped/hindered you in your early career? How do you feel about your life now? What would you change or wish had been different? What themes and ideas recur in your writing?
See: Professional Requests: Requests to read, comment, or Blurb. May i send you my manuscript? Will you give me a blurb for my new book? Will you advise me on my writing project? How can I write to you?
It is not about the readers if i am only focused on what a reader will read, and earn me income. I need to think about my writing, if i am happy with what I wrote, and find joy in it, then bad reviews, good reviews, rejections and praise will not be proposal something that I will be emotional about. It is just like money, if you write to earn income, then you will only focus on selling your books, and you will not be happy with whatever income you earn. . If you publish a book that you love, and that you have passion for, it still won't matter what you earn, but you will be happy with your writing. What I published is good enough for me, i learned from it and improved. . In the end, when it comes to publishing that is all that matters. (Frequently Asked questions where can I get a publicity photo? Can i email you?
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I believe that the most successful authors here and elsewhere have one thing in common, they have a passion for what they write, and they have a passion for improving what they write. . They have faced and built on rejection and learned from. The same holds true with plan publishing books. . I have published one book, and while its sales would not be considered "good" but that doesn't mean I don't think of this book as a success. . I loved the process of writing the book. . i enjoyed learning how to improve on what I wrote, and I found that with a lot of support in many different places, my passion for the topic grew. There is more to simply saying you have a book, i know that I have said this before, but there is a part that I didn't learn, or want to learn, which is selling books to readers. . you have to have a passion about marketing, and in many ways I had to justify marketing my book to myself, and not my writing. I also needed to define what makes for a successful book. .